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Intimate Landscapes

Sometimes its the little things that make the difference. As a landscape photographer I am always on the search for the BIG image the WOW image the right light in the right location to make a big impact. But sometimes we need to take a moment to look for the small stories within the BIG image. Those intimate landscapes can create a more personal connection with the location. They have their own stories to tell and are just waiting for the photographer to see them.

I love new locations and rarely turn down an opportunity to shoot something new. But every new location can be both exciting and overwhelming. There s so much to see and what to photograph first? I want to jump in and shoot it all! In that moment I don’t see the details I see the BIG scene and to move from overwhelmed to creating images I need to breathe and  walk the scene the  entire location before I take out my camera and take the first shot. This gives me time to absorb it all. This little step helps me move past the rapid fire shots to seeing the scenes within the BIG picture which results in fewer shots but more keepers.

On a recent trip to the Lonaconing Silk Mill it would have been very easy to focus solely on the big rooms filled with rusting machines. The shapes, colors and leading lines were everywhere! That would tell one story, the story of what happens when a plant closes. But, considering that this plant closed at the end of a shift, with the workers unaware of the pending closure,  so many left their personal belongings.  Finding and showing those details was a much more impactful story for me.  What do you leave at work knowing that you will come back tomorrow to retrieve it. What would happen if you couldn’t go back? What would someone find 50 years from now that you left and what story would it tell?

Shafts of light
Shafts of light
Ruby Red Slippers
Ruby Red Slippers
Work Orders
Work Orders
Work In Process
Work In Process

The Story of Lonaconing:

The Lonaconing Silk Mill, also referred to as the Klotz Throwing Company, is the last intact silk mill in the United States. It is located in Lonaconing, Maryland within the National Lonaconing Historic District and the site was nominated by the George’s Creek Watershed Association for the National Trust for Historic Preservation’s list of America’s 11 Most Endangered Historic Places.

In the early years of the mill, raw silk and Douppinni, an expensive silk that was used in the production of wedding gowns, were thrown at the mill. The throwing process involved the twisting and winding of silk into a yarn that was then used by knitters and weavers. Occasionally, the silk thread was broken due to the twisting and winding of the thread onto 4-inch bobbins, and the operator would tie the broken strands together with a silk knot. Other employees were involved in the steaming, dying and stretching of the silk, while others worked in the shipping department, sending the processed silk product to market.

It was only a year after the plant was built that the company was able to begin repaying the investment from the residents of Lonaconing. An addition to the mill was constructed in 1916 due to increased demand. By September 1920, the mill employed 359 with an average payroll of $8,491. The mill was responsible for adding $100,000 to Lonaconing’s economy annually by 1922 and provided a stable employment for those that were lucky enough to work there as it offset periods of turbulence in the coal industry.

At some point in the 1910’s, employees at Klotz Throwing Company were unionized under the United Mine Workers (UMW). The affiliation with the UMW reflected the fact that many employees had family involved in the UMW, but the affiliation was eventually changed to the United Textile Workers of America (UTWA). The UTWA also represented the Cumberland Silk Mill, also owned by the Klotz Throwing Company. The first recorded union due date was 1917 at 15 cents per month.

For all of the good impact had on the local economy, there were still some disputes. In 1921, mill employees went on strike which lasted for two weeks.

The Great Depression had some impact on the Klotz Throwing Company. Pay had decreased substantially due to slumping demand for silk products, illustrated by 111 workers being paid just $1,547 in February 1933.6 The mill reorganized as the General Textile Mills Company.

As the Great Depression waned, employment increased towards its pre-recession numbers – but troubles loomed ahead. At the beginning of World War II, General Textile found its supply of raw silk disputed due to the United States declaring war with a major supplier: Japan. The General Textile briefly closed when the government imposed trade sanctions against all Japanese imports. Employment declined under 200 for the mill during the early parts of the war. Pay decreased, and those who were employed were frequently moved into part-time positions. Any remaining raw silk in the mill was used to produce parachute thread for the service members.

From the first quarter of 1941 to the third quarter, the mill employed between 70 and 80 before dropping to just 27 by August 16. Throughout the third and fourth quarters of the year, employment dipped under 20. Between December 16 and 31, only 5 workers were present working a total 380 hours.

But it was not long before production increased at the mill along with employment numbers. To compensate for the lack of silk, the mill converted to rayon, a synthetic silk material which was cheaper to purchase in bulk and of the same texture.  From February 1 to the 15, 1942, employment increased to 30 before tripling to 94 employees between March 16 to 31.

After the war had ended, raw silk was once again spun but at a decreased percentage compared to rayon.  In 1946, an addition was completed on the mill to run additional synthetic materials, a sign of increased demand post-war. But the growth was only temporary. Whereas the mill once employed over 200 on three shifts prior to the war, employment numbers had decreased to under 200 by 1950. Not long after, less than 100 worked for General Textile. The company had not invested sufficiently into the mill, and the facility was equipped with outdated equipment. Demand for silk by consumers also declined and it could not be offset by rayon.

Wes Duckworth, mill superintendent during the 1950’s, was much worried about the future of the Lonaconing operation. The workers had requested an increase in wages to bring it up to the nearby Celanese textile workers; additionally, raw material prices were rising. Duckworth traveled to Klotz’s headquarters in New York on behalf of the workers to bargin with customers of mill and request an increase in product price.

The trip did not go over well. Customers balked at any increase in product price, wanting instead a product price reduction. Returning to Maryland, Duckworth faced the workers.

’I told them then that it doesn’t look like they re going to give you any money, so if you strike, it will only be for yourself. I’m warning you. So, they went out and that was the end of it.Wes Duckworth, mill superintendent

The employees went on strike, which prompted the company to close the mill. The last payroll to 67 employees was made on June 23, 1957. Only six workers remained on the payroll six days later. On July 7, with just five employees remaining, the mill closed. A skeleton crew of four employees remained on site for several years after to maintain the building and equipment.

The impact of the mill’s closure was devastating. Lonaconing, once the center of early industry in western Maryland was in shambles. The mines, which provided employment, were fickle at best and pig iron production had ceased. Glass factories were gone, and now the mill. Soon after, deep underground coal mining had ceased. The town’s economy went into decline and the population decreased accordingly.

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Thankful

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This summer I had the opportunity to travel to Iceland with a few of my quirky adventurous friends. We traveled the ring road hunting waterfalls. Along the way we hiked about 25,000 steps a day and laughed most of the way.

Of the many waterfalls we photographed Kirkjufellsfoss was my favorite stop. This small and charming waterfall is located on the Snaefellsness peninsula at Grundarfjordur. The clear water, the amazing mountain in the background and best of all I was able to capture a colorful sky at sunset. That was a small miracle considering it was daylight 24 hours a day and only twice during our two week adventure did we experience a colorful moment like this. For the most part the sky was overcast and moody, which led to different amazing images, but on this particular day in this location the clouds cleared to allow for an amazing sunset.

So here I stood at close to midnight, long after the normal tourist were sleeping, along with five friends waiting and hoping for the moment that would create this image. The banks were slippery and wet and one of our friends camera bags toppled over the edge and slid down the hill right closely followed by him….right into the water. After checking to make sure both were not injured we did what all good friends do, we  started laughing and teased him relentlessly for the rest of the trip.

I am still on the hunt for waterfalls and everyday someone sends me a new one to add to the list.  Where is your favorite waterfall?

Hoover-Mason Trestle Linear Park

Bethlehem Pennsylvania has constructed it’s own version of Manhattan’s High Line. The Hoover-Mason Trestle Linear Park allows you to get this close to the SteelStacks. It’s perfectly suited for taking photographs of this amazing remnant of America’s industrial age.

Bethlehem Pennsylvania has constructed it’s own version of Manhattan’s High Line. The Hoover-Mason Trestle Linear Park allows you to get this close to the SteelStacks. It’s perfectly suited for taking photographs of this amazing remnant of America’s industrial age.

As an added bonus the Christkindlmarkt located in the tents adjacent to the Steel Stacks is now open.  So you can head out to Bethlehem explore the Steel Stacks and finish your holiday shopping.

From the SteelStacks website:

The Hoover Mason Trestle (HMT) was once used as a narrow gauge railroad to carry the coke, limestone and iron ore needed to make the iron from the ore yards to the blast furnaces. Now a public walkway designed to be part museum, part community recreation resource and part attraction, the trestle stands 46 feet tall and 2,000 feet long. Opened on June 25, the Hoover Mason Trestle is located along the blast furnaces with one entrance at the Visitor Center and another at either end of the Gas Blowing Engine House providing access from the Sands parking lot or PBS 39 end of the campus. Visit the Hoover Mason Trestle to get up close and personal with the blast furnaces!

Here are a few images from this mornings adventure to the Hoover-Mason Trestle Linear Park

Namibia – A Photographic Expedition

Now available -Namibia: A Photographic Expedition

Seven eager international students and two talented instructors, gathered in Wyndhoek, Namibia in May 2013 to embark upon a photographic expedition that will remain in our memory forever. Over the next 14 days we were privileged to capture breathtaking landscapes, delightful native Namibians, and nature’s most beautiful and ferocious beasts.

Our first stop was 
N/a’an ku se Lodge and Wildlife Sanctuary, where we were treated to unparalleled close ups of lions, leopards, and cheetahs. However, as we soon learned, N/a’an ku se is much more than a photographer’s paradise. It is dedicated to protect and preserve Namibia’s vulnerable wildlife and improve the lives of the devastated San Bushman community. Soon thereafter an idea took root… wouldn’t it be great if we could share our photographic experience and simultaneously promote a worthy cause? Thus we present this collection for you to enjoy and to benefit Na’an ke se Foundation (www.naankuse.com), recipient of 100% of the proceeds from sale of this book. We remain indebted to our instructors: Jennifer Wu and James Martin, Na’an ku se Foundation, and the San Bushman tribe for instruction, opportunity, and inspiration.  We especially express gratitude to patrons of our effort. We trust you too will be inspired and take pride in supporting this worthwhile charity.

http://www.blurb.com/bookstore/invited/4000976/fbe17ad8fa65304f433d0e468ff9afb452f1b52f

Namibia

N/ a' an Ku Se
Waiting patiently

 

The last several weeks have been spent exploring Namibia in Southern Africa.  What started out as  a journey to photograph the country and return home with a few photographs  changed when I had the good fortune to meet Marlice van Vuuren, one of Namibia’s most well known conservationists, of the N/a’an ku se Foundation. The Foundation was formed in 2006 and has two primary objectives; to protect and conserve Namibia’s vulnerable wildlife and to improve the lives of the marginalized San Bushman community.

I was so touched by the positive attitude and spirit of the people and the tremendous need. It also struck me most how far a little goes. For example, $30 will provide a child with a back pack full of school supplies for a year. Or, $250 will  cover school fees, transport to and from school, pay for clothes or school uniforms and purchase educational items for one child.  There are so many ways to help please check it out and consider a donation  http://www.naankuse.com/support-us-at-naankuse/celebrate-and-give-with-naankuse.html

N/a’an ku se got into my soul and I haven’t been able to stop thinking about Marlice, the animals and the Sans Bushmen since that first day in Namibia. I want to raise awareness and funds for the Foundation. I plan to create a calendar, e-book and book of the images that I captured in Namibia and donate all net receipts to the N/a’an ku se Foundation to support their work. Before I set off on this venture I would like to determine if there is interest in the following

 

N/ a'an ku se Foundation
Members of the Sans Bushmen community
@ N/ a'an ku se Wildlife Sanctuary
@ N/ a’an ku se Wildlife Sanctuary
N/ a'an ku se
Cheetah at N/ a’an ku se Wildlife Sanctuary

Surreal Photomanipulations

I love the work of Jerry Uelsmann http://www.uelsmann.net/ and have wanted to create surreal composite images but I wasn’t quite sure how to go about putting it together. Then this video popped up in my inbox. Its a good tutorial that provides enough detail on how to create a composite that it will make you dangerous.

This was my first photo composite…

Shoot  for the moon,even  if you miss you will land among the stars -
Shoot for the moon,even if you miss you will land among the stars –

Seaside Heights

Many years ago, I was introduced to the Jersey shore by my husband who spent his youth saving coins in a jar in anticipation of that special week in Seaside. For many years now we have gone together to Seaside Heights for a slice of Maruka’s Pizza, to walk along the board walk, play skee ball and photograph the rides, games and people. There was always something to see and do, even in our favorite time – the off season.  The memories we have of Seaside made going there after Sandy necessary.

Photos cannot truly convey the devastation to the area.

Post Hurrican Infrared Images of the dunes
Post Hurrican Infrared Images of the dunes
What remains of the Pier post Sandy
What remains of the Pier post Sandy
The Piers collapsed during Hurricane Sandy and the Roller Coaster was dropped into the sea
The Piers collapsed during Hurricane Sandy and the Roller Coaster was dropped into the sea

Seaside Heights Roller Coaster Seaside Heights -Roller Coaster 2 FunTown Piers Funtown Piers Ferris Wheel FunTown Peir At Seaside Heights

Seaside Heights Funtown Pier
Seaside Heights Funtown Pier

The Boardwalk at Seaside Heights

The Streets of New York

In October, I spent the week before Hurricane Sandy in New York City with a small group of photographers. Our mission was simply to create environmental portraits of the people we found in the city.  This eclectic group was turned loose on the streets of New York, we traveled from Battery Park City to Central Park and everywhere in between.

The You Tube video link below will take you to a sample of my New York City portraits. The images are all copyright Red Filter Photography © 2012. Hope you enjoy it!

 

How to Read a Histogram

On our photowalks, I find myself explaining how to read a histogram at least once on each walk.  Knowing how to read the histogram will provide you with information you need to make adjustments to obtain the  correct exposure, while your subject is present.

I came across this video today on reading histograms and found it clear and concise.

Now take a look at your histograms from your photo library and practice.
Happy Shooting.

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